Lock the script.Get the board.
Upload your screenplay. RivetAI does the first pass on the breakdown, stripboard, and topsheet. Your 1st AD and line producer take it from there.
Break down a scriptBefore it was a shot, it was a plan.
12INT. WAREHOUSE - NIGHT12
MARCUS (40s) sweeps a flashlight across the empty catwalk. Something moves below. He vaults the rail and drops to the concrete.
- Cast
- Props
- Stunts
On the board
12INT. WAREHOUSENIGHT1 1/8 pgs
Trusted by production teams
What your crew gets
Change the script and the breakdown, board, and budget update together. Nothing locks until your crew says so.
The Script
One locked draft. Colored revisions. Every department on the same pages.
Role: 1st AD
The Breakdown
Cast, props, stunts, locations, vehicles, SFX, tagged scene by scene.
Role: 1st AD
The Board
Stripboard, DOOD, and one-liner. Drag a strip; the day count follows.
Role: 1st AD
The Topsheet
Line-item estimates by account, with the incentives your locations qualify for.
Role: Line Producer
On the call sheet
| Role | What's on the desk Monday |
|---|---|
| Writer | Clean draft, tracked revisions, coverage you can read before you send it out. |
| 1st AD / Line producer | Breakdown, board, and topsheet you'd otherwise spend the first two weeks of prep building. |
| Studio | Every show on the slate prepped the same way, with your security team signed off. |
One show. One price.
Your script never trains anything. Nobody at RivetAI reads it.
How we protect your script